70 Royalty-Free Audio Tracks for "Dynamic Microphone"

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00:47
Me hitting 7x13 tama s. L. P. G-maple snare drum. Different dynamic hits including ghost notes. 13" evans st dry coated on batter and 13" evans snare side on resonant. Recorded with a slate digital vms ml-1 large-diaphragm modeling microphone.
Author: Binkusthetrinkus
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00:28
Ambisonic 32bit float recording from a blacksmith shop. Nb! extreme dynamic range!!. You hear the mechanical bellow in the background. The blacksmith takes a glowing piece of iron, placing it on his anvil, and start hammering it. Done with a sennheiser ambeo vr ambisonic microphone, and a zoom f6 field recorder.
Author: Larserikertzgaardringen
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00:25
Honeybees buzzing around a hive on a mild spring day---saturday may 2nd, 2015. This recording was made on a sunny day at 11:00am with the air temp of 61 degrees f. Recorder: marantz pmd661/w/oade brothers preampsmicrophone: byerdynamic m58 omnidirectional dynamic microphone with record volume set on 7. Enjoy.
Author: Kvgarlic
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03:48
A recording of dry leaves skittering across an asphalt parking lot around 2:00pm on a friday afternoon. I feel this recording captures the serene, but sad, sound of dry leaves in the fall being scattered about by a strong north wind. Recording made with the marantz pmd661-oade, and the incredible beyerdynamic me58 microphone. Since this particular microphone is a dynamic microphone, i had to crank my record gain up to 7. I was really happily surprised that the sometimes un-listenable wind-roar and wind rumble is barely noticeable on this recording. . . . . . Emjoy this autumn soundscape.
Author: Kvgarlic
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00:54
Hitting radiator with fingers and scrapping over with a metallic object (car-key). Additionally amplified, notch-filter and accented subs. Results in a interesting sound scape. I've started to save my files in pcm format (instead of acm) because there was additionally quality loss. Recorded with a ultra cheap microphone unit of my mp3 player. Reduced noise.
Author: Buddhamaster
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00:20
A computer fan's quiet ambient noise. Recorded with: shure sm57 dynamic microphone. This sound loops very nicely. ------------------------------------------------------------------------------------please leave feedback by commenting below. I'd love to hear your thoughts about this sound and what you used it for. If you published your finished compilation to the web go ahead and include a link. If you have any questions or requests feel free to contact me. Thank you. ------------------------------------------------------------------------------------.
Author: Eaglestealthteam
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00:06
Squealing sound that switches between the left and the right speaker channels, making an eerie, metallic, and slightly distant effect. This sound is a modification from the sound "creaking metal desk". Recorded with: shure sm57 dynamic microphone. Processed with: audacity. ------------------------------------------------------------------------------------please leave feedback by commenting below. I'd love to hear your thoughts about this sound and what you used it for. If you published your finished compilation to the web go ahead and include a link. If you have any questions or requests feel free to contact me. Thank you. ------------------------------------------------------------------------------------.
Author: Eaglestealthteam
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00:04
X-act heavy metal drum kit==========================drum kit: tama rockstarsnare: mapex maplecymbals: zildjianall were recorded in studio with a sennheiser e835 microphone plugged into a roland juno-g synthesizer. Cymbals need some 15khz eq increase because of the dynamic microphone's treble roll-off. No copyrights, free for all uses. I recommend using native instruments battery to launch the samples. Each of the battery's cells can accept stacked multi-samples, and the kit can be played through an electronic drum kit through midi. Excellent results. Any comments, contact matias: matias. Reccius@gmail. Com.
Author: Matias
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00:05
Your stereotypical wind chime sound effect. Used a lot for transitions into dream sequences and flashbacks in movies and films. I took a very fast recording of someone hitting some orchestral chimes, slowed it down by over 200% and added some harmonic excitement and equalization in post production. Tools used:- usb logitech microphone (no lies, seriously used this $10 mic)- fl studio 12 by image line- vitamin by waves- dynamic eq by izotop. If you'd like me to edit or create any additional sounds for your project, please let me know. I'd be happy to help.
Author: Djlprojects
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01:52
This is a recording of a metal desk creaking with very little movement. I recorded this sound, amplified it, and removed the white noise. That's the only processing this sound has gone through. I'm sure this sound can be modified in many different ways and put to countless uses. Be sure to check out the variations of this sounds from the "creaking metal pack". Recorded with: shure sm57 dynamic microphone. Processed with: audacity. ------------------------------------------------------------------------------------please leave feedback by commenting below. I'd love to hear your thoughts about this sound and what you used it for. If you published your finished compilation to the web go ahead and include a link. If you have any questions or requests feel free to contact me. Thank you. ------------------------------------------------------------------------------------.
Author: Eaglestealthteam
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01:47
A recording of a manual typewriter. The author is inserting paper, typing a paragraph, and then removing the paper. Sound of paper being inserted into the typewriter using the paper platen winder. Then the sound of typing of about 50 words. A small bell sound is heard at the end of each line, then the sound of the platen being pushed back to start the next line, and the platen moving the paper up one line. The sample ends with the sound of the paper being wound through the typewriter and removed. I have tried to avoid clipping of each typed letter. There is a lot of percussive multi pitch sound in each typed letter. There is a mechanical escapement that provides a clicking sound as the platen is moved back for the next line. This sample was recorded direct to the hard drive of this samsung nc10 netbook using audacity set to 44. 1khz and 16 bit in mono. A dynamic microphone was used on a small desk stand about 1 foot (30cm) from the typewriter, the stand being on a different table to the one on which the typewriter was used. The microphone was a fairly cheap make (hitachi hmp606) and was pre-amplified using a maycom mictube preamplifier built into the xlr connector, connected to the mic in port of the samsung nc10 netbook. The mic boost was reduced to zero, and the gain of the maycom preamp was at its lowest setting.
Author: Keithpeter
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00:33
This sample is a vocal "arh" sound, pitch d. It was created by singing "arh" into a dynamic microphone, with pop-screen and recording, through an e-mu 1820, into cakewalk music creator pro version 2. The sample was then roughly trimmed. The sample was then imported into wavelabs lite where the dc off set was removed, the sample was normalized and the trimmed exactly. This sample was then imported back into cakewalk music creator pro version 2, compressed slightly, then duplicated 5 times. Each of these duplications was given slightly different attack and release times, different pan and different eqs. 1 sample was given a multiple voice chorus\flanger effect and another auto-pan. A 6 sample was then added before the main sample, with reduced gain. This sample has increasing volume envelope and "moving" pan envelope. All 6 samples where sent to the same master out where "chapel" style re-verb and compression was applied. The mix down from this was then imported into wavelad lite, dc off set removed and normalized.
Author: Annannienann
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01:03
4-channel hq record of a sudden and heavy thunderstrike (nearly) without rain in the afternoon of a hot summerday. The recording equipment was prepared for recording thunder, so there is no distortion, no compression or (auto)gain reduction done by a limiter in the zoom f8, means the whole dynamic is still there and will be audible by a adequate monitor/audio equipment. ;-)the sound was not edited or otherwise enhanced with effects. This file can be used as a intro followed by my other track (link below), which has soft rain at the beginning, before the thunder comes. . . ;-https://freesound. Org/people/bluedelta/sounds/367222/. The 4 channels are recorded in irt-cross technique (microphone distance 25cm) so it is a 360° (4x90°) record. Http://irt-cross. Mozello. De_________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones). Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. Https://www. Sounddevices. Com/product/wave-agent/. Comments about this atmo-record are welcome! ;-). . . And you can help others to find this sound easier by (star)rating this track.
Author: Bluedelta
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00:06
Staple gun recorded with two dynamic microphones.
Author: Pappabert
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00:15
Drain recorded in stereo with two unmatched dynamic microphones from underneath the sink. . . Not extremely happy with the sound needs processing.
Author: Tc
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04:46
Samples of a buffet crampon e-11 clarinet, serial #b222120. Two behringer xm8500 dynamic mics, nos stereo technique. The instrument was about 0. 8 meters from the microphones. Both microphones had gain set at about 60%.
Author: Michael Willis
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11:22
Setup: 2 dynamic sennheiser microphones, one pointed out of the window in the west on a tree and the other one out of the window in the south pointed at a tranquil street.
Author: Lennartgreen
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01:13
A symphony of birds, and in the background faintly, crickets, in mid may 2017 in deep forest in the midwestern united states. Equipment used: marantz pmd661, with specially-modified extra quiet preamplifiers by the oade brothers of georgia, and the beyerdynamic omnidiretional, dynamic microphones.
Author: Kvgarlic
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01:08
Field recording of an electric train passing by. Recorded fairly close, wide dynamic range. I had to reduce the input gain during the middle section of the recording to avoid overloading the adc. I think this a fairly good example of the spatial image binaural recording can provide. Gear: sharp minidisc, soundman okm binaural microphones.
Author: Chade Fallstar
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04:04
A recording of my bathroom ventilation fan shutters clicking in the breeze. The fan is not on so you can hear birds in the distance, and the wind in the tube-shaped fan chamber. When the wind blows it catches the plastic shutters and they rattle and click. Recorded very close to the fan with two dynamic microphones, there is virtually no bathroom ambience detectable. I'd be intrerested to know what this could be used for!.
Author: Mr Cushtie
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